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Queens, Saints, & Kinks

by Ferdinand Folk

There’s a certain kind of freedom unique to America.

 

Not perfect freedom.

 

Not uncomplicated freedom.

 

But the kind that allows contradiction to coexist without requiring explanation.

 

And maybe that’s what makes the American gay man such a fascinating creature.

 

He can worship a pop queen, inherit a religion he no longer practices, and harbor private desires he’d never discuss over brunch.

 

All at once.

 

Without legal persecution.

 

Without the state intervening.

 

Without needing to resolve any of it into a coherent identity statement.

 

That’s rarer than people think.

 

 

The Queen

 

It usually comes out casually.

 

“That’s my queen.”

 

Said with certainty. No hesitation. No need to explain.

 

Sometimes it’s Kylie.

Sometimes Shakira.

Sometimes someone more global—less claimed, more shared.

In America, more often Beyoncé or Britney.

 

It doesn’t really matter which one.

 

What matters is that there is one.

 

 

I used to think it was about music.

 

It isn’t.

 

It’s about alignment.

 

Projection.

 

Permission.

 

 

The queen is not who you listen to.

 

She’s who you borrow from.

 

 

Her confidence.

Her survival.

Her ability to be watched—and still perform.

 

 

Globally, the choices shift.

 

In Europe, Kylie reads differently—less spectacle, more permanence.

 

In Latin America, certain icons aren’t nostalgia—they’re infrastructure.

 

And yet, in America, neither quite lands the same way.

 

Everything here competes with scale.

 

Bigger. Louder. More produced.

 

Even devotion starts to feel regional.

 

 

Which raises a quiet question:

 

Why do some icons belong to the world while others belong to a country?

 

Because America doesn’t just export culture.

 

It competes with it.

 

And most people never leave the version they were given.

 

 

The Saints

 

I grew up Catholic.

 

Not devout.

 

But structured.

 

Ritual has a way of staying with you.

 

Even after belief leaves.

 

 

Religion, at its core, is structure.

 

A rulebook.

 

A set of inherited instructions on how to live, act, and exist within something larger than yourself.

 

You can lose the language.

 

You can abandon the practice.

 

But the framework rarely disappears.

 

 

Most people carry some version of it.

 

A code.

A moral outline.

A quiet negotiation between impulse and restraint.

 

 

And in America, something unusual happens.

 

You can wear it.

 

Openly.

 

Casually.

 

A crucifix.

A Star of David.

Something subtle marking where you come from.

 

Half belief. Half inheritance. Entirely worn.

 

 

Nowhere else does that coexist quite the same way.

 

Not with this level of ease.

 

Not with this level of contradiction.

 

 

A man can be disciplined and indulgent.

 

Structured and impulsive.

 

Religious in symbol, agnostic in practice.

 

Which, in practice, looks a lot like everyone doing their best and calling it philosophy.

 

The saints don’t disappear.

 

They adapt.

 

 

The Headphones

 

At the gym, no one is listening to the same thing.

 

Even if it looks like they are.

 

There’s always a guy—broad shoulders, controlled movements, something subtle marking where he comes from.

 

A thin chain.

 

A Star of David resting flat against his chest.

 

Sometimes even a yarmulke tucked away until it’s not.

 

 

He lifts like it means something.

 

Like discipline.

 

Like order.

 

In his headphones?

 

Britney.

 

 

He doesn’t look like the song.

 

But he is.

 

The room never hears it.

 

That part is just for him.

 

 

And that’s where it becomes clear:

 

This isn’t contradiction.

 

It’s coexistence.

 

The queen.

The structure.

The private world.

 

All running at the same time.

 

A man can look one way in a room and live entirely differently inside it.

 

And in America, he’s allowed to.

 

Freely.

 

Carelessly.

 

Without needing to resolve the difference.

 

 

The Kinks

 

There are things people don’t say out loud.

 

Not because they can’t.

 

Because they won’t.

 

Everyone has something.

 

A thought.

 

A preference.

 

A curiosity that doesn’t translate cleanly into conversation.

 

Not everything is meant to.

 

Some things exist better in private.

 

Contained.

 

Understood only by the person experiencing them.

 

 

I don’t live at the gym.

 

But I know what happens when I go back to it.

 

Genetics do most of the work.

 

My father’s side leans lean and structured.

 

Which means I have the luxury of neglect—and the ability to correct it quickly.

 

Give me a month of discipline.

 

Diet locked. Routine intact.

 

And everything sharpens.

 

One good grate of cheese off my abdominal.

 

Which is, if we’re being honest, less about health and more about vanity.

 

A kind of controlled simulation.

 

 

And in that month—

 

nothing changes.

 

Same room.

 

Same mirrors.

 

Same men pretending not to look at each other while doing exactly that.

 

 

In my headphones?

 

Something global.

 

Rhythmic.

 

Unmistakably not built for the room.

 

Not because it’s my identity.

 

Because it works.

 

 

On the treadmill, I’m steady.

 

Controlled.

 

Composed.

 

In the mirror: a man.

 

Measured.

 

Masculine.

 

Built just enough to suggest discipline.

 

Internally?

 

Different story.

 

Not dramatic.

 

Not performative.

 

Just slightly off-script.

 

A private performance.

 

Unseen.

 

Unshared.

 

Frankly—better that way.

 

 

And the truth is—

 

I’m not the only one.

 

Look around long enough and you start to notice it.

 

The most masculine guy in the room—

 

broad, quiet, something inherited resting against his chest—

 

locked into his set like discipline incarnate.

 

In his ears?

 

Not this room.

 

You catch it in passing.

 

A glance in the mirror.

 

A rhythm that doesn’t match the space.

 

A moment that almost breaks character—then doesn’t.

 

And then it’s gone.

 

Back to form.

 

Back to control.

 

 

The gym does that.

 

It sharpens the body, sure—

 

but it also heightens everything else.

 

Adrenaline.

 

Focus.

 

Impulse.

 

You finish a workout and feel calibrated.

 

Which is a polite way of saying your decisions immediately after are rarely your best.

 

 

And maybe that’s the real distinction.

 

In America, a man can choose his queen.

 

Carry his saint—whether he believes in it or not.

 

And keep whatever exists quietly beneath both of them.

 

All at once.

 

Not hidden in fear.

 

Not managed for survival.

 

Simply allowed.

 

No real consequence.

 

No legal threat.

 

No system stepping in to reconcile the contradiction.

 

Which, in much of the world, would be unthinkable.

 

Here, it’s just Tuesday.

 

 

I remember living in Brooklyn.

 

Old building.

 

Thin walls.

 

The kind of place where everyone is both visible and pretending not to be.

 

I was seeing someone—

 

deeply traditional.

 

Hasidic.

 

Structured in a way I wasn’t.

 

And yet—

 

there we were.

 

Faith intact.

 

Identity intact.

 

Everything else… negotiated.

 

No declarations.

 

No explanations.

 

Just two people existing slightly outside the versions of themselves the world expected.

 

Not rebellion.

 

Not contradiction.

 

Just allowance.

 

 

The Bubble

 

There’s something else at play.

 

Perspective.

 

Or more precisely—

 

containment.

 

American gay men, for the most part, live inside a self-contained world.

 

City to city.

 

Neighborhood to neighborhood.

 

Bar to bar.

 

The conversation rarely leaves the room it started in.

 

Which means the references don’t change.

 

The queens stay the same.

 

The rituals repeat.

 

The conversations echo.

 

Everything feels immediate.

 

Everything feels urgent.

 

Urgent in a way that rarely survives a passport stamp.

 

 

But step outside of it—

 

and the tone changes entirely.

 

In most parts of the world, the conversation isn’t about identity.

 

It’s about existence.

 

Not expression.

 

Survival.

 

The ability to choose your queen, question your structure, and explore your private self are not universal freedoms.

 

They are specific.

 

And rare.

 

But when you’ve only ever lived inside that freedom, it stops feeling like freedom.

 

It just feels normal.

 

And when normal is all you know, anything that disrupts it feels like loss.

 

Even when it isn’t.

 

That’s the paradox.

 

The more protected something is, the more fragile it can feel.

 

 

The Volume

 

There’s a spectrum to it.

 

Not right or wrong.

 

Just volume.

 

Some people build identity in the open.

 

Others keep it contained.

 

It’s not about depth.

 

It’s about where the depth lives.

 

One is designed to be seen.

 

The other isn’t.

 

 

The Line

 

Eventually, the distinction sharpens.

 

What belongs to you.

 

And what belongs to the room.

 

Not everything needs to be shared.

 

Not everything needs to be understood.

 

Some things are better left intact.

 

Or maybe not.

 

Because if you stay long enough—

 

watch long enough—

 

you start to notice something else.

 

Everyone is composed.

 

Everyone is structured.

 

Everyone looks like they have it together.

 

And yet—

 

no one is entirely where they appear to be.

 

Whatever version of them walks out of that room is probably not the one they arrived with.

 

That part stays unspoken.

 

It always does.

Occasional Upodates:

© Ferdinand Folk. All rights reserved.

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